#1
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Poetry Collections
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1948
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25 Poems
|
1949
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Epitaph for the Young: XII Cantos
|
1951
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Poems
|
1962
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In a Green Night: Poems 1948-60
|
1964
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Selected Poems
|
1965
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The Castaway and Other Poems
|
1969
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The Gulf and Other Poems
|
1973
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Another Life
|
1976
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Sea Grapes
|
1979
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The Star-Apple Kingdom
|
1981
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Selected Poetry
|
1981
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The Fortunate Traveller
|
1983
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The Caribbean Poetry of Derek Walcott and the Art of Romare Bearden
|
1984
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Midsummer
|
1986
|
Collected Poems, 1948-1984
|
1987
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Central America
|
1987
|
The Arkansas Testament
|
1997
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The Bounty
|
2004
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Another Life: Fully Annotated
|
2007
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Selected Poems
|
2010
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White Egrets
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2014
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The Poetry of Derek Walcott 1948-2013
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2016
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Morning, Paramin
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|
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#2
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Poems
|
1948
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The Fishermen Rowing Homeward
|
1948
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In My Eighteenth Year
|
1948
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Private Journal
|
1948
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Letter to a Painter in England
|
1948
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A City's Death by Fire
|
1948
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As John to Patmos
|
1948
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I with Legs Crossed Along the Daylight Watch
|
1949
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XII Cantos
|
1962
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A Far Cry from Africa
|
1962
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Ruins of a Great House
|
1962
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Tales of the Islands
|
1962
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Return to D'Ennery; Rain
|
1962
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A Letter from Brooklyn
|
1962
|
Islands
|
1962
|
Pocomania
|
1962
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Parang
|
1962
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Two Poems on the Passing of an Empire
|
1962
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Orient and Immortal Wheat
|
1962
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A Lesson for This Sunday
|
1962
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Bleeker Street, Summer
|
1965
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The Castaway
|
1965
|
Tarpon
|
1965
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The Flock
|
1965
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Laventille
|
1965
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The Almond Trees
|
1965
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Verandah
|
1965
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Crusoe's Island
|
1965
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Codicil
|
1965
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A Village Life
|
1965
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Goats and Monkeys
|
1965
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The Prince
|
1965
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God Rest Ye Merry, Gentlemen
|
1965
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Lines in New England
|
1965
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November Sun
|
1965
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Lampfall
|
1969
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Ebb
|
1969
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The Corn Goddess
|
1969
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Moon
|
1969
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Serpent
|
1969
|
Cat
|
1969
|
Hawk
|
1969
|
Junta
|
1969
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Mass Man
|
1969
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Miramar
|
1969
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Exile
|
1969
|
The Train
|
1969
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Homage to Edward Thomas
|
1969
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A Change of Skin
|
1969
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The Gulf
|
1969
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Elegy
|
1969
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Washington
|
1969
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Mayaro
|
1969
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Blues
|
1969
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Air
|
1969
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Guyana
|
1969
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The Bush
|
1969
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The White Town
|
1969
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The Falls
|
1969
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A Map of the Continent
|
1969
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A Georgetown Journal
|
1969
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Che
|
1969
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Negatives
|
1969
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Landfall, Grenada
|
1969
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Homecoming: Anse La Raye
|
1969
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D'Aubaignan
|
1969
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The River
|
1969
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To the Hotel Saint Antoine
|
1969
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Goodnight Ladies, Goodnight Sweet Ladies
|
1969
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The Cell
|
1969
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Saturday Morning at the Flying Club
|
1969
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Star
|
1969
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Cold Spring Harbour
|
1969
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In the Kitchen
|
1969
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Love in the Valley
|
1969
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Gib Hall Revisited
|
1969
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Nearing Forty
|
1969
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The Walk
|
1969
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Hic Jacet
|
1973
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The Divided Child
|
1973
|
Homage to Gregorias
|
1973
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A Simple Flame
|
1973
|
The Estranging Sea
|
1976
|
Sea Grapes
|
1976
|
The Virgins
|
1976
|
Frederiksted Nights
|
1976
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Frederiksted, Dusk
|
1976
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Sunday Lemons
|
1976
|
Schloss Era
|
1976
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The Cloud
|
1976
|
New World
|
1976
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Adam's Song
|
1976
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Vigil in the Desert
|
1976
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The Brother
|
1976
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Preparing for Exile
|
1976
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Party Night at the Hilton
|
1976
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The Lost Federation
|
1976
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Parades, Parades
|
1976
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The Silent Woman
|
1976
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Dread Song
|
1976
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The Dream
|
1976
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The Walking Fish
|
1976
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Frogs
|
1976
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Turtles
|
1976
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Butterflies
|
1976
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The Villages
|
1976
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Sainte Lucie
|
1976
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Iona: Mabouya Valley (Creole)
|
1976
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Iona: Mabouya Valley (English)
|
1976
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For the Altarpiece of the Roseau Valley Church, Saint Lucia
|
1976
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Over Colorado
|
1976
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Spring Street in '58
|
1976
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Ohio Winter
|
1976
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For Pablo Neruda
|
1976
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Volcano
|
1976
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The Wind in the Dooryard
|
1976
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The Chelsea
|
1976
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The Bridge
|
1976
|
Endings
|
1976
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California
|
1976
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The Fist
|
1976
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Love After Love
|
1976
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Midsummer, England
|
1976
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The Bright Field
|
1976
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Dark August
|
1976
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Sea Canes
|
1976
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The Harvest
|
1976
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Midsummer, Tobago
|
1976
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Force
|
1976
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Oddjob, a Bull Terrier
|
1976
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Earth
|
1976
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At Last
|
1976
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Winding Up
|
1976
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The Morning Moon
|
1976
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The Return to the Trees
|
1979
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The Schooner Fight
|
1979
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In the Virgins
|
1979
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Sabbaths, W.I.
|
1979
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The Sea Is History
|
1979
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Egypt, Tobago
|
1979
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The Saddhu of Couva
|
1979
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R.T.S.L.
|
1979
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Forest of Europe
|
1979
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Koenig of the River
|
1979
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The Star-Apple Kingdom
|
1981
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Old New England
|
1981
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Upstate
|
1981
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American Muse
|
1981
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Piano Practice
|
1981
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North and South
|
1981
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A Sea Change
|
1981
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Beachhead
|
1981
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Archipelagoes
|
1981
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The Cove
|
1981
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Sea Cranes
|
1981
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Roman Outposts
|
1981
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From This Far
|
1981
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Europa
|
1981
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Greece
|
1981
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The Man Who Loved Islands
|
1981
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Hurucan
|
1981
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Jean Rhys
|
1981
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Catina Music
|
1981
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The Liberator
|
1981
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The Spoiler's Return
|
1981
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Port of Spain
|
1981
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The Hotel Normandie Pool
|
1981
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Early Pompeian
|
1981
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Easter
|
1981
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Store Bay
|
1981
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Wales
|
1981
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The Fortunate Traveller
|
1981
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The Season of Phantasmal Peace
|
1984
|
Companion in Rome, whom Rome Makes as Old as Rome
|
1984
|
At the Queen's Park Hotel, with Its White, High-Ceilinged Rooms
|
1984
|
Midsummer Stretches Beside Me with Its Cat's Yawn
|
1984
|
Our Houses Are One Step from the Gutter: Plastic Curtains
|
1984
|
My Double, Tired of Morning, Closes the Door
|
1984
|
With the Frenzy of an Old Snake Shedding Its Skin
|
1984
|
I Can Sense It Coming from Far, Too, Maman, the Tide
|
1984
|
In the Other 'Eighties, a Hundred Midsummers Gone
|
1984
|
Gaugin
|
1984
|
Watteau
|
1984
|
Along, White, Summer Cloud, Like a Cleaned Linen Table
|
1984
|
With the Stampeding Hiss and Scurry of Green Lemmings
|
1984
|
The Sun Has Fired My Face to Terra-Cotta
|
1984
|
Before That Thundercloud Breaks from Its Hawsers
|
1984
|
Certain Things Here Are Quietly American---
|
1984
|
Something Primal in Our Spine Makes the Child Swing
|
1984
|
Gold Dung and Urinous Straw from the Horse Garages
|
1984
|
Those Grooves in That Forehead of Sand-Coloured Flesh
|
1984
|
Mud. Clods. The Sucking Heel of the Rain-Flinger
|
1984
|
The Oak Inns Creak in Their Joints as Light Declines
|
1984
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The Grey English Road Hissed Emptily Under the Tires
|
1984
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The Camps Hold Their Distance---Brown Chestnuts and Grey Smoke
|
1984
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Chicago's Avenues, as White as Poland
|
1984
|
Tropic Zone
|
1984
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A Wind-Scraped Headland, a Sludgy, Dishwater Sea
|
1984
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I Once Gave My Daughters, Separately, Two Conch Shells
|
1984
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Since All of Your Work Was Really an Effort to Appease
|
1984
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I Heard Them Marching the Left-Wet Roads of My Head
|
1984
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There Was One Syrian, with His Bicycle, in Our Town
|
1984
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The Midsummer Sea, the Hot Pitch Road, This Grass, These Shacks That Made Me
|
1987
|
Here
|
1987
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The Lighthouse
|
1987
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Cul de Sac Valley
|
1987
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Roseau Valley
|
1987
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A Latin Primer
|
1987
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The Villa Restaurant
|
1987
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The Three Musicians
|
1987
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Saint Lucia's First Communion
|
1987
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Gros-Ilet
|
1987
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The Whelk Gatherers
|
1987
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White Magic
|
1987
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A Letter from the Old Guard
|
1987
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Storm Figure
|
1987
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Marina Tsvetaeva
|
1987
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The Light of the World
|
1987
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Oceano Nox
|
1987
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Night Fishing
|
1987
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To Norline
|
1987
|
Elsewhere
|
1987
|
Eulogy to W.H. Auden
|
1987
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Elsewhere
|
1987
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Steam
|
1987
|
Central America
|
1987
|
Roman Peace
|
1987
|
Salsa
|
1987
|
Sunday in the Old Republic
|
1987
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French Colonial: "Vers de Societe"
|
1987
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Mimi, the Near-Suicide
|
1987
|
Fame
|
1987
|
Tomorrow, Tomorrow
|
1987
|
Streams
|
1987
|
Winter Lamps
|
1987
|
For Adrian
|
1987
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Safe Conduct
|
1987
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Pentecost
|
1987
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The Young Wife
|
1987
|
Summer Elegies
|
1987
|
A Propertius Quartet
|
1987
|
Menelaus
|
1987
|
God Rest Ye Merry, Gentlemen, Part II
|
1987
|
The Arkansas Testament
|
1990
|
Omeros
|
1997
|
The Bounty
|
1997
|
I Cannot Remember the Name of That Seacoast City
|
1997
|
Signs
|
1997
|
Then, as If the Earth's Wick Were Being Lowered
|
1997
|
Thanksgiving
|
1997
|
Miraculous as When a Small Cloud of Cabbage-Whites
|
1997
|
Homecoming
|
1997
|
To Recede Like a Snail Flattening Its Enquiring Horns
|
1997
|
New Creatures Ease from Earth, Nostrils Nibbling Air
|
1997
|
The Feel of the Village in the Afternoon Heat, a Torpor
|
1997
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There Is Nothing Except the Sun at the End of the Street
|
1997
|
The Phrases of a Patois Rooted in This Clay Hillside
|
1997
|
Never Get Used to This; the Feathery, Swaying Casuarinas
|
1997
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Great Bursts of Exaltation Crest the White Breaker
|
1997
|
Spain
|
1997
|
Down Shortcuts Like Wounds in the Hills, into Estate Kitchens
|
1997
|
Not the Horned Head, the Beaked Visor, the Threshing Vans
|
1997
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What Is This Virulence That Eats at the Cloth of the Altar
|
1997
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The Bamboo Stands Ready as an Army with Its Plumed Banners
|
1997
|
Six Fictions
|
1997
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I Am Considering a Syntax the Colour of State
|
1997
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I Saw Stones That Shone with Stoniness, I Saw Thorns
|
1997
|
Alphaeus Prince. What a Name! He Was One of the Princes
|
1997
|
These Lines That I Write Now, That Lack Salt and Motion
|
1997
|
The Sublime Always Begins with the Chord "And Then I Saw,"
|
1997
|
Praise to the Rain, Eraser of Picnics, Praise the Grey Cloud
|
1997
|
Awaking to Gratitude in This Generous Eden
|
1997
|
If These Were Islands Made from Mythologies Where
|
1997
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The Sea Should Have Settled Him, But Its Noise Is No Help
|
1997
|
Italian Eclogues
|
1997
|
She Returns to Her Role as a Seagull: the Wind
|
1997
|
A Santa Cruz Quartet
|
1997
|
At the End of This Line There Is an Opening Door
|
1997
|
Never Plotted, Never Provided with Their Proper Metre
|
1997
|
In Late-Afternoon Light the Tops of the Breadfruit Leaves
|
1997
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After the Plague, the City-Wall Caked with Flies, the Smoke's Amnesia
|
2000
|
Tiepolo's Hound
|
2004
|
The Prodigal
|
2010
|
The Chessmen Are as Rigid on Their Chessboard
|
2010
|
Your Two Cats Squat, Heraldic Sphinxes, with Such
|
2010
|
This Was My Early War, the Bellowing Quarrels
|
2010
|
White Egrets
|
2010
|
The Acacia Trees
|
2010
|
Sicilian Suites
|
2010
|
Spanish Series
|
2010
|
In Italy
|
2010
|
The Lost Empire
|
2010
|
The Spectre of Empire
|
2010
|
Pastoral
|
2010
|
A London Afternoon
|
2010
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In the Village
|
2010
|
The Sweet Life Cafe
|
2010
|
A Sea-Change
|
2010
|
On Capri
|
2010
|
Sixty Years After
|
2010
|
In Amsterdam
|
2010
|
Forty Acres
|
2010
|
Epithalamium: the Rainy Season
|
2010
|
Barcelona
|
2010
|
Elegy
|
2010
|
August, the Quarter-Moon Dangles Like a Bugle
|
2010
|
It's What Others Do, Not Us, Die, Even the Closet
|
2010
|
What? You're Going to Be Superman at Seventy-Seven?
|
2010
|
The Sorrel Rump of a Mare in the Bush
|
2010
|
All Day I Wish I Was at Case-en-Bas
|
2010
|
Be Happy Now at Cap, for the Simplest Joys---
|
2010
|
For the Crackle and Hiss of the Word 'August'
|
2010
|
So the World Is Waiting for Obama,' My Barber Said
|
2010
|
In the Leathery Closeness of the Car Through Canefields
|
2010
|
Here's What That Bastard Calls 'the Emptiness'---
|
2010
|
This Page Is a Cloud Between Whose Fraying Edges
|
2016
|
Dedication to S.H.
|
2016
|
Ski Jacket
|
2016
|
The Architect's Home in the Ravine
|
2016
|
Figure in Mountain Landscape
|
2016
|
Pond Life
|
2016
|
Window Pane
|
2016
|
Hitch-Hiker
|
2016
|
100 Years Ago (Carrera)
|
2016
|
Moruga
|
2016
|
Milky Way
|
2016
|
Music of the Future
|
2016
|
Pelican Island
|
2016
|
Pelican Man
|
2016
|
Lapeyrouse Wall
|
2016
|
Maracas
|
2016
|
In the Heart of Old San Juan
|
2016
|
Paramin
|
2016
|
Baked
|
2016
|
Girl in White with Trees
|
2016
|
Man Dressed as Bat
|
2016
|
Untitled (Paramin)
|
2016
|
Paragon
|
2016
|
Metropolitain
|
2016
|
Grand Riviere I
|
2016
|
Grand Riviere II: The Phantom Steed
|
2016
|
Santa Cruz I
|
2016
|
Santa Cruz II
|
2016
|
Santa Cruz III
|
2016
|
The Studio Film Club I
|
2016
|
The Studio Film Club II
|
2016
|
The Studio Film Club III
|
2016
|
Night Studio (Studiofilm & Racquet Club)
|
2016
|
House of Pictures
|
2016
|
The Oak's Arms Command
|
2016
|
2016
|
Metropolitain (House of Pictures)
|
2016
|
Mal d'Estomac
|
2016
|
Abstraction
|
2016
|
Lapeyrouse Umbrella
|
2016
|
The Tanker
|
2016
|
Purple Jesus (Black Rainbow)
|
2016
|
Peter, I'm Glad You Asked Me Along
|
2016
|
A Haven
|
2016
|
House of Pictures (Carrera)
|
2016
|
Figures in Red Boat
|
2016
|
In the Arena
|
2016
|
A Lion Is in the Streets I
|
2016
|
A Lion Is in the Streets II
|
2016
|
A Lion Is in the Streets III
|
2016
|
A Lion Is in the Streets IV
|
2016
|
Cave Boat Bird Painting
|